A PASSAGEWAY WITH A DRAUGHT
“In our city high-rise buildings were built at random, so that the wind was blowing in the narrow wells between them. And we teenagers walked. I wanted to escape, and the friend wanted to find “his place” in this city”.
I came up with and repeated the verses:
they should run together
I would like to run with them
with all together
these houses and the city
would run.
My friend was jarred with the poetry, the cities did not flee, and the houses did not escape. So, bitterness accumulated, and interfered with the dream of wresting more from life. Life was not a fool - it didn’t give away good things so easily ... "
WHAT IS MEMORY FOR ME?
Stones speak to me sparingly,
Lakes echo them with a splash.
The forest leans to the ear and whispers:
The time of the times has come.
You are no longer the same.
Painters draw for BURO: «Save as…»
CHOP OFF HIS HEAD
— What needs to be eliminated in art? - a question from the heading "Artists draw for Buro.". The technique, as they say, is free.
"A little head," I think. There are too many far-fetched contexts, trends, speculations, trigger points. Overly abstruse explanations, without which objects can no longer exist. I don't want to look at art that needs extra oxygen to survive. Everything is from internal energy, from the tartars. Let it be better "God's pipe," as Yesenin said.
Художники рисуют для BURO.: участники аукциона «Ликвидация.21»
